Lou (Tomlin), who accidentally became a treatments 16 years before. (She seems fine now, although a daughter play by Sara Gilbert keeps calling to check on her health.
Three of the women are over 80, while Betty keeps reminding everyone she’s just 75. The junior (and least glamorous) member of the quartet even alters the “80” on one of the matching No. 12 jerseys the pals all wear.
Lou is motivat to plan a trip
Houston for the epochal 2017 Super Bowl when a Brady bobblehead briefly comes to life and gives her a wink. (It’s the first of several amiable cameos for the quarterback, who’s one of the movie’s producers.) She, Trish and telegram database Betty emancipate Maura from her senior-living facility, and they all head to Texas. The women prove to be a sensation in Houston, where they swagger to a score heavy on 1970s-style funk by the likes of Kool & the Gang, Hot Chocolate and Con Funk Shun.
Screenwriters Emily Halpern and Sarah Haskins (“Booksmart”) place prictable roadblocks in their path, but the Brady super fans’ trip plays as a series of triumphs. Ultimately, the women insist on a pivotal role in the outcome of the big game, which is condens into a few highlights of official NFL footage.
But before that Maura reveals herself
As a gambling genius, Betty prevails in a hot-wings-eating how to promote a facebook page using storytelling posts? contest host by Guy Fieri, Trish enthralls a new beau (Harry Hamlin) and fans of her books, and all earn cheers while impersonating dancers in a halftime show whose choreographer is play by Billy Porter. (A young woman says their moves are “amazing,” just in case anybody in the audience doesn’t realize they’re suppos to be in awe of these ladies.)
First-time director Kyle Marvin maintains a spey pace, sometimes china data shortchanging a gag in his haste to get to the next one. When most of the women unwittingly get ston on marijuana ibles at a supposly wild party, their buzz fades as soon as the script finds a new set of complications.